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Coronavirus public health warnings and PSA on social media

It’s been quite a while since I’ve had time to update this blog, but I thought it was important to collate and share some of the public health warnings and PSA about coronavirus (COVID-19) from both governments and celebrities, in the hope that people can learn from some of the excellent videos and infographics being shared on social media to combat this awful pandemic. Keep safe everyone.

Ohio Department of Health – USA
Bobby Wine – Coronavirus Alert – Uganda
Vietnamese Health Department
Indian Police Hand Washing Dance
Arnold Schwarzenegger – USA
Gloria Gaynor – I will Survive – USA
UK Coronavirus Public Information TV Advert
National Health Service (NHS) Stay at Home Advice UK
UNICEF Vietnam
Oxfam – How to Wash Your Hands
Tamil Nattu Pasanga
Jehovah Shalom Acapella – Uganda
Derbyshire Police Drone Shaming Video – UK
Neil Diamond – Sweet Caroline Coronavirus Update
PSA – Egypt
A video mocking Canadian Celebrity Humanitarianism
Corona Awareness – Pakistan
Nickelodeon Coronavirus Film for Children – USA
Department for International Development – UK
HM Government – UK
Caramella Girls – Sweden
Cartoon Network – USA
Egypt’s Great Pyramid
WaterAid Nepal – Instagram
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😷 #corvid19

A post shared by Kampala Fashion Week (@kampalafashionweek) on

Uganda Advert for Tailors to Make Face Masks
UK Government
Uganda President Address to the Nation on Facebook
Matt Damon – Contagion PSA
Tik Tok Challenge – Vietnam Ministry of Health
Government of South Australia
EPD COVID-19 Coronavirus PSA – Don't Stand So Close To Me

COVID-19 has no respect for person, status, or affiliation. We have all been affected by this terrible illness. But there's hope. We can beat this if we maintain social distance. Let's not stand so close together for a little while. Huge thanks to Jakob Bilinski and Cinephreak Pictures!**We do not own the rights to this music**#togetherapart #socialdistance #allhandsondeck

Posted by Evansville Police Department on Tuesday, 31 March 2020
Don’t Stand So Close to Me – Evansville Police Department
The Refugee Response – Swahili
Mzee wa Bwax – Corona – Tanzania
Manual to make homemade masks – India
Multilingual PSA – Sudan
Global Handwash Song – Nepal
OSAD – Vietnam
Tom MacDOnald – Coronavirus – USA
Psychs – Spreadin’ – UK
Stay Safe, Don’t Panic – India
World Health Organisation – Seven steps to prevent the spread of the virus
World Health Organisation – Hand washing with the tippy tap
Social Distancing – University of California, Irvine
B’Flow – Tanzania
Zinash Tayachew – Ethiopia’s First Lady
UNICEF – UK
Bobi Wine Ft African Leaders – Uganda
One World Together – Worldwide
Pata Pata Revived – South Africa
Uganda All Stars – Uganda
Spice Diana – Uganda
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Kibera Stories

Kibera Stories is a blog, Facebook page and Instagram account set up by Brian Otieno to document the everyday in Kibera, Nairobi. Brian is a freelance documentary and press photographer and grew up in Kibera. He is also part of the Everyday Africa network of photographers. I asked Brian a few questions about the fantastic Kibera Stories project.

When and why did you start the Kibera Stories project?

I started KiberaStories in 2013 just when I was about to start college. Every day I walked around my neighbourhood trying to discover new places and with me, I had my cellphone which I used always to capture casual moments of ordinary life during my daily encounters along the way. One day while I was sitting at a vantage point near the railway line that passes through Kibera, I started searching for images of Kibera on Google and I was frustrated by the images because they only depicted misery, and abject poverty, unlike the usual moments I was seeing every day. It was at the moment that I opened a Facebook page and started posting images of Kibera, according to the way I was seeingit. Images that were normal and ordinary and represented reality.

Tell us a bit about your background/education as a photographer

I am a freelance photographer, I studied journalism at Multimedia University of Kenya and in 2016 I was among the 12 selected visual storytellers for the World Press Photo East AfricaMasterclass which took place in Nairobi. It was at this masterclass that I started understanding the ways of being a professional photographer and met other artists from the global photography industry and this marked a new beginning in my photography career.

You say that the account helps to “understand the diversity, the dynamics and the disparity” of Kibera. Can you give us some examples…?

This is mostly to outside, the first images that people always have in mind when they come to Kibera are poverty, misery, hopeless, garbage. But this is not the case to a person born in Kibera. Despite poverty, there’s also prosperity, there is talent and potential, there are people trying to make their way out and through. There’s a side of the slum that is unseen, unknown that goes beyond the stereotypes of the slum as its always viewed. Through this project I try to show the many different faces of Kibera, I try to show the people and their positions in the community, and paint an honest picture of not just poverty and misery.

Please share your 4 favourite images and tell us a bit about each one

Elsie Ayoo, a ballet dancer, trains on a busy street of Kibera. The first time she tried on a pair of pointe shoes, she fell in love with ballet and now she dreams of becoming a professional dancer. While I’m hoping she’s on the right track to make it in life, the dreams of kids growing up in Kibera are just the same as anywhere else in the world.

Stephen Okoth, also is known as Ondivour, is a 25-year-old filmmaker, photographer and model known for his self-styled colourful and vintage fashion. He has made it his mission to stand out in bringing joy and happiness to the streets of his hometown. His signature bright clothes bought from the local second-hand markets have turned him into a local personality and a source of inspiration for the youths in the slum.

Men hang out the door of a commuter train that passes through Kibera daily, carrying passengers to and from Nairobi’s city centre. The railway line built in the 1900s which passes through Kibera is an important landmark in the community. Most people who use the train work in the industrial areas of Nairobi and the train provides a cheap alternative to transportation to and from their places of work.

Contestants at the annual Mr. and Miss Kibera fashion and beauty pageant. The event which started as a beauty pageant has grown to build dreams of the youthful population by promoting their talents and nurturing them to be responsible leaders in the community and beyond.

Kibera Stories has obviously benefited you, how has it benefited Kibera?

With KiberaStories, I have partnered with other organizations in Kibera, to offer photography training to the youths in Kibera, I have had exhibitions in New York and Los Angeles to fundraise for a school and an organization offering scholarships programs to students in Kibera. Recently I have also partnered with another organization to help bring books to a community library in Kibera. I think this is highly beneficial to the community and I am still aiming to do more than that.

What advice would you give to other African photojournalists wanting to document everyday life across the continent?

Follow your dream and your passion, without the passion I would have given up a long time ago. The best stories are right here at home. Keep shooting and shooting.

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Photography and Development – An interview with EveryDay Mumbai

I’m off to Mumbai next week to speak at a Conference on Social Media for Development, Innovation and Freedom. During my research I came across Everyday Mumbai and spent hours looking at some of the wonderful images that creator Chirag Wakaskar has curated. So I contacted Chirag to ask him a few questions:

What inspired you to start @everydaymumbai

Back when I started this project (6th July 2014) there were probably very few working photographers from India on it and the pictures on the medium were mostly the typical oversaturated fluff of sunsets, mountains, beaches etc but there were a few western photojournalists on the medium sharing some interesting work and while I was on it with moderate success perhaps because photojournalism based content is not as popular in India as something that provides a much more departure from daily dreary lives such as a beautiful sunset or your favourite celebrity having fun is (I guess). I loved what @everydayafrica was doing and thought of having something on similar lines but since there weren’t really a lot of photographers around that I knew personally I decided on a curated platform rather than a collaboration. There was also a thought in the back of my mind of seeing the city through local eyes, which included a lot of non professional photographers who also contribute to the project. When it comes to incidents of violence, criminal charges in Denver area lawyers are there to help.

How do you select which images to curate? Are there certain issues that you deliberately focus on e.g. I noticed that there are many images documenting the LGBT community in Mumbai and also on pollution. What is the motivation for highlighting certain issues?

I generally look at photographs which have something to say beyond the visual. I often feel many times images of such issues are sidelined in mainstream media in India which is more focused around political news, celebrities and sports coverage. Even Instagram is primarily dominated by Bollywood & vanity. I hope to make space for highlighting various issues and making a strong case for photographers who document such issues.

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Do you think that @everydaymumbai can be used as a tool for development? If so, how?

I would like to think it can be used as a ‘model’ in Boston OUI lawyers because it reaches an audience through a medium that is easily accessible to them so that they can understand or know a little more than they usually would. I would love to see communities self documenting to better understand for themselves as well as others. I’ve actually written a guide and put it up on the website so that someone who wants to start off a project like this would know how to go about it. It can be found here – http://www.everydaymumbai.com/how-to-start-your-own-everyday-project-on-instagram-by-chirag-wakaskar/

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Have you ever been contacted by local government or NGOs about your work?

I have never been contacted by government. A couple of times NGO’s have reached out to share something. Though I have often proactively shared something I think would help share a good message or help someone out.

You mostly provide quite detailed supporting text – how long does this take?

The credit is all to the photographers. I will often egg them on to write more in terms of either jouralistic captions or even what they may think about what they have photographed. I also share with them resources such as  caption methodology such as AP or NPR so that they can get an idea as well or even some photography resources that I have found helpful. I maintain a small database of articles Ive liked – http://www.everydaymumbai.com/resources/

You receive lots of comments on the images that you curate. How long does it take for you to maintain the Instagram account?

I share just one photograph a day after looking at the hashtag and usually will message the photographer if I need to have any more details included. I have notifications off except for comments so that something inappropriate doesnt pass through. I’m generaly quite liberal in terms of comments and even with negative feedback but never outright for any hatred, lewdity, violence, etc

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Do you know if any of the photographers that work you curate have received photography commissions as a result?

This is a difficult one for me to quantify, but I do share the work of lot of young photographers with the hope that journalists, editors, curators who follow the project will commision them work or perhaps write articles about them particularly when they have some projects, exhibits, books & so on.

What is next for @everydayMumbai

I’m currently working on creating an offline exhibit in public spaces so that a wider audience can reached, particularly those who may not be on social media or even the internet. I’m also looking to reach out to mariganlized communities to help train them to document themselves and create social media based projects like these for their communities so more people can know about them.

Thank you Chirag for such an interesting and inspirational interview. I can’t wait to see some of the projects working with marginalised communities.Facebooktwitterredditpinterestlinkedinmailby feather

UNDP Kenya – Development Photography Project

I stumbled across the following tweet from UNDP Kenya back in March which alerted me to their fantastic new photography initiative.

Intrigued as to why they had commissioned three photographers to document their work I contacted Ngele Ali, their Head of Communications.

Why did you decide to document development in Kenya using photography? What informed the decision to commission this work was that, while we were telling our story and reporting about the impact of our work, the country office lacked compelling images of Kenya and Kenyans that could enrich our narrative. Our main aim was to document the breadth of development with authentic imagery that form part of our photography library. We deliberately went out to photograph and get stories informed by the SDGs, while exploring thematic areas aligned to UNDP work in Kenya such as: inclusivity, gender equality and youth empowerment, climate change, devolved governance, technology for development among others. We therefore went out in search of empowering stories and images of ordinary Kenyans at grassroots level who were doing remarkable work of transforming their lives and lifting themselves out of poverty; with the hope of giving the term development a face and to demystify the concept of leaving no one behind. We leveraged photography as a tool for storytelling, to capture everyday lives of people, their personal perspective and achievements, that sometimes words don’t do justice. With images gathered from this mission we hope to build a library that is rich with a wide spectrum of powerful images encompassing of genuine human interest stories that may inform how we perceive and communicate on development matters and help shape our future interventions and interactions with Kenyan communities.  

How long did the project take and how did you choose the locations?

This was a month-long mission where three Kenyan professional photographers were commission to work with the country team comprising of staff drawn from programme and communications departments. To capitalize on the time available, and to ensure we had images back in good time for various activities that were in the pipeline, the teams went out to the field simultaneously covering all the counties including those where UNDP has project on the ground. The idea of this project was to inclusively cover Kenya as wide as possible beyond our project areas as a forward-looking opportunity to scope for possible areas of future engagement and to ensure that we have a good collection of images that represent the face of Kenya in consideration to the fact that UNDP works with state and non-state institutions at national and sub-national levels.

Tell us why you chose the three photographers you commissioned?

The three were shortlisted from a competitive process that had invited photographers working in Kenya to submit their portfolios and proposed costs to undertake the assignment. The three were shortlisted from a pool of photographers following a rigorous review of portfolios based on experience of working on similar projects; demonstrated understanding of what was required of the assignment and knowledge of the terrain; and samples of work submitted.

How many photographs were taken?

Approximately 2000 final photos were submitted.

What is your favourite photograph and why?

Each photo has a unique story behind it but I particularly love photos from the marginalised communities as they are not the usual photos of abject poverty. The images that we got back paint a picture of hope, abundance and highlighting communities and people making a difference in a dignified and positive way. They are images that authentically celebrates Kenyan communities and their way of being.

What kind of supporting information did you capture for case study and caption material? Did this take a long time?

Information gathered was contextualised based on personal accounts and covered issues of livelihoods, family, future ambition, employment, state of being among others, which helped to frame each photograph in a unique way. This process was rigorous as it also included getting consent of the people we were photographing; The conversations were either written or recorded and later transcribed. Upon return to work it took at least another roughly four weeks for colleagues to complete captioning after the photographers made their final submissions. UNDP teams also submitted detailed back to work reports which is a standard requirement.

How will you be sharing the photographs with the people in the pictures?

We had release forms where we recorded details of the people being photographed. For those who expressed that they would like us to share with them the photos we will make necessary arrangements to do so – either directly or through our partner organisations working in those locations. Majority of those photographed were happy and satisfied to view their photos on screen after the sessions before we departed from location.

How do you plan to use the photographs?

The photos taken form part of the UNDP country office library; we intend to use these photos to support our conversations with regards to the development agenda in Kenya. This will be in our programmatic reports, annual report, factsheets, website, among others. None of the photos will be used for commercial purposes. The photos are also available for other UNDP/UN offices, development partners and donors upon request as long as they are credited accordingly.

Will you be using social media to share these images? If so, on what platforms?

Twitter, Instagram, Facebook, Exposure

What kind of problems did you encounter on the project?

Getting instant buy in to participate. Our teams spent a lot of time explaining what we were doing in some cases the people we encountered were not as friendly while others demanded payment for their participation. It took a while for members of the public to warm up to us and we only worked with people who were willing to participate freely. Working with local contacts helped in breaking the ice and gaining trust.

Language barrier – while Kiswahili is widely spoken across Kenya, in some remote areas, language was a hindrance and we heavily relied on local translators.  The distances between locations could be gruesome and exhausting especially in remote areas where the road network is not so good.

Are there any recommendations for other development organisations who might want to do something similar?

Logistics and planning is critical prior to the start of the project to ensure that your teams are well prepared and any concerns and questions are covered before departure to the field as helps in ensuring that all are working from the same perspective for desired results. We planned for this mission for at least 3 weeks before teams left the Nairobi office.

Always seek consent of the people you want to involve in your project. Taking a few minutes to explain the purpose of your mission and how you intend to use their images helps with members of the public feeling valued and the result is more enriching.
Work with professional photographers – professional photographers are a major asset for this type of assignment engage and work with them as part of your team. Let them understand your approach prior to the start of the project as this ensures that they understand what is expected of them and can deliver better results.

Give people an opportunity to tell and share their stories without influencing their thoughts. People feel appreciated and respected when allowed to tell their stories without the pressure to skew the narrative to suit your perspective.
Always take time to clarify any information provided and ensure it is as factual as possible. Request to use a voice recorder which you can play back when transcribing for clarity and ask the local fixer/contact for further clarification when in doubt.Facebooktwitterredditpinterestlinkedinmailby feather

How can we use Instagram more to support development?

I’m afraid this is a genuine question that I don’t know the answer to – so please help me answer it. How can we use Instagram more to help development?

Earlier today I met with a youth group in Alexandra, Johannesburg to talk to them about the use of images in NGO fundraising campaigns. After the discussion I noticed several of them get their mobile phones out to check for “updates”. I had already taken up a lot of their time, so quickly asked if they used social media on their phones. “Of course we do” one of them said. I asked which social media channels they use the most and it was a unanimous response of “Instagram”. What about Facebook and Twitter I asked, “We use Facebook, but not Twitter, Instagram is much better.” So I asked if they thought Instagram could be used for development. “Definitely – Instagram is a great way of finding out what’s going on in the world and for learning about different things – it’s so easy to share information with friends too.”

I was so intrigued by this response, but really didn’t want to take up more of their time. I’ve seen several semi-successful campaigns by NGOs, one of which I mention in my blog post earlier today. I’ve also written about Instagram accounts such as Barbie Saviour and Everyday Africa, but I’d love to learn more about grass roots initiatives on Instagram that have been successful for development.

Please share any examples you have found.Facebooktwitterredditpinterestlinkedinmailby feather